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A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
Pour the Water as I Leave
Bosnia That Vanished
Bosnia: The Camp
On sourira de nous
Bosnia Diaries
Back to Bosnia
Jasper Mall
Ghetto 59
Sky Above Srebrenica
The Bosnian Pyramids: The Biggest Hoax In History?
Fanfares
Toward a Common Tenderness
Accordion Tribe: Music Travels
À propos de Nice
We are humans. El éxodo contado en primera persona
What Would Jesus Buy?
a small island
Orkestar aka Orchestra
